This week I’m going to talk about how to write a midpoint that keeps the reader turning the pages.As the word suggests, the midpoint of a story comes right at the center of it.How should it be written?Why should we care?Regardless of what genre we write, the first quarter of the story is invariably where the characters are introduced to the reader and where the events that complicate the main characters’ lives take place.This part is the set-up to the second quarter of the story which highlights how the characters react to the life-altering events (job offer, job loss, tragedy, natural disaster, unexpected inheritance) that beset them.Their reactions drive the story forward – if they don’t react, there will be no story.Read More...
When there’s a romance brewing between two characters in a story, even in genres other than romantic fiction, readers will want the characters to, at the very least, kiss.
When I’m reading, I know that I always want that to happen – and I feel let down when a story with a promising slow-sizzle ends without a physically sensual moment. I’m sure the protagonists feel cheated too.Read More...
This week, I’m going to talk about Dialogue Tags.
If my book characters say something, how will readers know who spoke?
How will they know who said what when they can’t physically see or hear the characters?
Through dialogue tags, that’s how. Dialogue tags are phrases or sentences that tie or tag a character to a particular dialogue.
Consider this conversation (Example A):
‘What on earth are you doing?’
‘How is it any of your bloody business what I do?’
‘It is my bloody business because this is my bloody house!’
A cliché is a phrase that is symbolic or figurative rather than literal; for example: I am over the moon. Really? Clearly not, unless you are in a space ship, in which case it is a literal situation and therefore not a cliché.
A cliché can be an idiom, as in the example above; a metaphor [it was the final straw]; a simile [she sank like a stone]; or a proverb [knowledge is power].
At one time, eons ago, it was considered natty to use such phrases in speech and in writing. The concept was still new and they sounded clever.Read More...
This week, the letter is B, and I’m going to talk about Writer’s Block and Burnout.
Let’s first distinguish Writer Burnout from Writer’s Block.
I read an interesting take on the topic at Litreactor.com:
When the voices in your head refuse to speak to you, it is Writer’s Block, but when they’re shouting at you to put pen to paper, and you simply cannot, that’s Burnout.
Welcome to “Authors’ Tips – A to Z of Writing”
This is a new series of blog posts where eight of us – Devika Fernando, Preethi Venugopala, Paromita Goswami, Adite Banerjie, Ruchi Singh, Sudesna Ghosh, Saiswaroopa Iyer and I – will post on a myriad of writing-related topics with the topic corresponding to the Alphabet of the Week.
We are starting with the letter A, a very good place to start, and Adite has set the ball rolling with her post on Authenticity in Writing. I am writing on A is for AntiheroesRead More...
Introducing Mita – the spirited female lead in Reet Singh’s “Take One Fake Fiancé”
‘I won’t do it, Mama.’ Mita glared at her mother through eyes as black as thunder clouds. ‘You’ll have to be the one to tell Uncle Raja. I refuse to speak to your interfering brother.’
She fled the room before her mother could get a word in, and left behind a faint bouquet of jasmine, a strong whiff of displeasure, and a distraught mother. The front door banged loudly, its old timber creaking in protest at such ill-treatment and Radhika sank into the nearest chair.
Would her only child shun marriage forever? It wasn’t fair to blame Mita’s father, Deepak, but if he
Tanay Devkumar, who can be seen in all his splendid glory on the cover of Take One Fake Fiance (TOFF), was a difficult man to create. He was to be ruthless and arrogant, suspicious and cynical, but then had to transform into a dream-boat – a sentimental lover craving a happy-ever-after with Mita, the woman he (once-upon-a-time) used to abhor.
Tall order – but here’s what I did:
I started by giving him a double barreled surname, hoping it would convince Mita, my feisty heroine – and also my readers – that he was not an ordinary man, and certainly not one to be toyed with. Then, recognizing how important the physical appearance is, I made sure he wasRead More...
Liebster Award Nomination
Thank you Devika Fernando for nominating my website for this interesting award. Its lovely to see bloggers promote bloggers!
If you want to know what ‘Liebster’ stands for, well, it is a German word, and you can read more about it in Lorraine Reguly’s post. She has also posted a lot of very fascinating history about the award – well worth a read!
Broadly, the rules are:
1. Link back and thank the blogger who nominated you in your post.
2. List 11 facts about yourself.
3. Answer the 11 questions asked by the blogger who nominated you.
4. Pick 5 – 10 new bloggers (each must have less than 300 followers) to nominate and ask them 11 new questions. Do not re-nominate the blogger that nominated you.
5. Go to each new blogger’s site and inform them of their nomination.
We have the choice to accept this nomination, and continue it by paying it forward. Of course, we can also politely decline it.Read More...
Thank you for dropping in to talk to me.
I really enjoyed reading ‘A Royal Affair’ – let’s talk about it since it is my favorite from you so far.
How did the idea come about, to write an inter-racial romance? Was it a difficult one to write?
Hi Reet. Thank you so much for having me over. Great to hear that you loved ‘A Royal Affair.’ I don’t know how I got the idea to write an inter-racial romance as most of my story ideas seems to come in from nowhere. But the origin might have been somewhere in the ‘Who do you think you are’ series that I binge watched a long ago. It is a show on BBC where celebrities go in search of their lost ancestors. In ‘A Royal Affair’, Jane is coming to India in search ofRead More...