Mushy month is upon us!
I love sentimental stuff, and I love romance – perhaps more than most women – but there’s soon going to be a surfeit of it.
It will be all around us, all pervading, all nauseating – we may want to break free.
Tag: Romance
Word counts that work
This week I’m going to talk about word counts and what they could mean to you as a reader and as a writer.
What word count can mean to a reader:
How long is this story? Do I really want to read such a short/long story? Some like it long – they feel cheated by shorts and novellas; others want to get through a book in one night, or on the train ride home, so they shudder at epic word counts.
For authors, though, word counts can mean two things:
Surrender
Surrender – a short verse on love
Semicolons, Em-dashes, and Ellipses
This week I’m going to talk about some interesting punctuation marks that you should certainly try in your writing.
First, I’m going to define what a clause is, because we’ll be talking about it a lot in the following section.
A clause is a group of words – it forms part of a sentence AND contains a subject and a verb.
For example: Tanay stepped into the en-suite bathroom and began to look for a shaving kit.
Point of View in story-telling
When it refers to real life, a Point of View is the “position from which something is viewed”. In story-telling, it translates into “who is telling the story?”Whose viewpoint is it? How much of it is biased because it is only one point of view? How much can a reader believe if it is coming from one ‘position’ only?Let me try and answer these questions.
Midpoints that impel the story onwards
This week I’m going to talk about how to write a midpoint that keeps the reader turning the pages.As the word suggests, the midpoint of a story comes right at the center of it.How should it be written?Why should we care?Regardless of what genre we write, the first quarter of the story is invariably where the characters are introduced to the reader and where the events that complicate the main characters’ lives take place.This part is the set-up to the second quarter of the story which highlights how the characters react to the life-altering events (job offer, job loss, tragedy, natural disaster, unexpected inheritance) that beset them.Their reactions drive the story forward – if they don’t react, there will be no story.
Writing Love Scenes
When there’s a romance brewing between two characters in a story, even in genres other than romantic fiction, readers will want the characters to, at the very least, kiss.
When I’m reading, I know that I always want that to happen – and I feel let down when a story with a promising slow-sizzle ends without a physically sensual moment. I’m sure the protagonists feel cheated too.
When Mita meets Tanay: featured by Ruchi Singh
Excerpt: Tanay and Mita’s first meeting
Mita took an appreciative sip of the wine and looked up, over the rim of her goblet, straight into a pair of sardonic eyes. The eyes, in a dark, bearded face, stared her down from across the room, one eyebrow arched in amusement; or was it disdain?
Irked for some reason, she raised her own eyebrow at him, although she was more in the mood to frown and turn away. The stranger held up a glass of amber liquid in a toast, and something in his expression wasn’t very polite. He made no move towards her and that in itself was rude, almost insolent.
Mita’s chin went up and it was unfortunate that she had a generous quantity of
Meet Tanay from ‘Take One Fake Fiancé’ – featured by Paromita Goswami
Introducing Tanay – the irresistible hero of ‘Take One Fake Fiancé’
If the car was any indication, detectives must make a lot of money. Mita couldn’t help but admire the comfortable and tasteful interior, but then Tanay changed a gear, his hand brushing her thigh, and she got distracted by the man – by his sheer physical presence.
He looked quite the demigod – the casual outfit showed off tanned skin, and the tight t-shirt highlighted well-toned muscles. Damp, ebony black hair curled about his ears – locks of it falling over a prominent brow made him look boyish and affable; however, an aquiline nose, the thick arching brows, and a firm, square, bearded jaw all totaled up to dangerous.
Character Development in ‘Take One Fake Fiancé’ – featured by Sudesna Ghosh
Tanay Devkumar, who can be seen in all his splendid glory on the cover of Take One Fake Fiance (TOFF), was a difficult man to create. He was to be ruthless and arrogant, suspicious and cynical, but then had to transform into a dream-boat – a sentimental lover craving a happy-ever-after with Mita, the woman he (once-upon-a-time) used to abhor.
Tall order – but here’s what I did:
I started by giving him a double barreled surname, hoping it would convince Mita, my feisty heroine – and also my readers – that he was not an ordinary man, and certainly not one to be toyed with. Then, recognizing how important the physical appearance is, I made sure he was