Midpoints that impel the story onwards

This week I’m going to talk about how to write a midpoint that keeps the reader turning the pages.As the word suggests, the midpoint of a story comes right at the center of it.How should it be written?Why should we care?Regardless of what genre we write, the first quarter of the story is invariably where the characters are introduced to the reader and where the events that complicate the main characters’ lives take place.This part is the set-up to the second quarter of the story which highlights how the characters react to the life-altering events (job offer, job loss, tragedy, natural disaster, unexpected inheritance) that beset them.Their reactions drive the story forward – if they don’t react, there will be no story.

Writing Love Scenes

When there’s a romance brewing between two characters in a story, even in genres other than romantic fiction, readers will want the characters to, at the very least, kiss.

When I’m reading, I know that I always want that to happen – and I feel let down when a story with a promising slow-sizzle ends without a physically sensual moment. I’m sure the protagonists feel cheated too.

Flashback in Fiction

What is a flashback?
It is a scene narrated in the present timeline but it pertains to something that happened in the past – something that took place before the current story starts.
A flashback refers to an event so compelling and powerful that it sits in the character’s memory – and it has contributed to make the character who she is.
How can you tell if your story needs a flashback?

He said, she said: Dialogue Tags

This week, I’m going to talk about Dialogue Tags.

If my book characters say something, how will readers know who spoke?
How will they know who said what when they can’t physically see or hear the characters?

Through dialogue tags, that’s how. Dialogue tags are phrases or sentences that tie or tag a character to a particular dialogue.

Consider this conversation (Example A):
‘What on earth are you doing?’
‘How is it any of your bloody business what I do?’
‘It is my bloody business because this is my bloody house!’

Is your writing clichéd to the hilt?

A cliché is a phrase that is symbolic or figurative rather than literal; for example: I am over the moon. Really? Clearly not, unless you are in a space ship, in which case it is a literal situation and therefore not a cliché.

A cliché can be an idiom, as in the example above; a metaphor [it was the final straw]; a simile [she sank like a stone]; or a proverb [knowledge is power].

At one time, eons ago, it was considered natty to use such phrases in speech and in writing. The concept was still new and they sounded clever.

B is for Burnout

This week, the letter is B, and I’m going to talk about Writer’s Block and Burnout.

Let’s first distinguish Writer Burnout from Writer’s Block.
I read an interesting take on the topic at Litreactor.com:
When the voices in your head refuse to speak to you, it is Writer’s Block, but when they’re shouting at you to put pen to paper, and you simply cannot, that’s Burnout.

A is for Anti-heroes

Welcome to “Authors’ Tips – A to Z of Writing”

This is a new series of blog posts where eight of us – Devika Fernando, Preethi Venugopala, Paromita Goswami, Adite Banerjie, Ruchi Singh, Sudesna Ghosh, Saiswaroopa Iyer and I – will post on a myriad of writing-related topics with the topic corresponding to the Alphabet of the Week.

We are starting with the letter A, a very good place to start, and Adite has set the ball rolling with her post on Authenticity in Writing. I am writing on A is for Antiheroes