NJ?
D’you know what I love about you?
‘Huh?’
Exactly!
That’s what I love…
I love that you never listen to a word I say!
Yet you hear what I dare not speak.
NJ?
D’you know what I love about you?
‘Huh?’
Exactly!
That’s what I love…
I love that you never listen to a word I say!
Yet you hear what I dare not speak.
In response to a question posed by poet and author, Madhuri Maitra:
The romances I grew up reading revolved around dashing Englishmen, debonair French nobles, ruthless Arab sheiks, swashbuckling Australian ranchers and the like. The stories unfolded in exotic locations. Therefore, when called upon to write a romance in an Indian setting, I imagined it would be difficult. How would I get an Indian hero to do what Englishmen and Frenchmen had been doing in the Mills and Boons of yore?
The Modern Woman’s bedside companion*
There is tons of literature on ‘lip-locking-for-first-timers’ written by self-professed gurus. This self-help, do-it-your-self manual is different because it is written for women by a woman. Thus, it addresses every woman’s first-kiss fears, and has practical tips that will bring home the bacon lips.
Dear Devika,
Thank you for coming over to talk to me. I’m really looking forward to your next two offerings – they are both sequels to ‘Playing with Fire’, I understand.
Let’s talk about them – ‘Dancing with Fire’ and ‘Living with Fire’!
Two sequels at once – awesome! How do you do it? Do you write concurrently, sequentially, what? Tell us something about that – perils, pitfalls, advantages.